The musical contained many elements such as lighting, sound and backdrops to emulate the scene of a 19th century opera house, and they were extremely successful in this. The scenes were tear-wrenching and thought-provoking- I must admit that I cried a lot, as the cast performed in such an emotional way and were so interconnected with each other in the moment by the piece of art that they were creating! The reason for why I would only recommend the musical to those over the age of 13 is that many scenes included were extremely intense, and depicted moments of violence and chilling obsession of the Phantom to the main protagonist, Christine. I had high expectations for the musical, due to having great past experiences of Andrew Lloyd Webber's musicals, and it exceeded these expectations greatly, with the Phantom of the Opera becoming my personal favourite quickly! Everything from the music, to the costuming was excellently carried out, with it being extremely memorable and iconic. Personally, I thoroughly enjoyed the Phantom of the Opera, however I would only recommend it to maturer audiences, of people over the age of 13. Some cursing but nothing beyond a PG movie. This may even be a good movie to start that conversation with them. In the end he relatively becomes a better person who lets Christine go, but again, you child should be able to comprehend the difference between lust and love. A young soprano becomes the obsession of a disfigured and murderous musical genius who lives. Some people get killed by the Phantom and he threatens to kill Christine's fiancé infront of her but he does not. There are some low cut dresses that are a representation of the time period and a man looks through a peephole into the girls dressingroom but none of the girls are indecent. So if your child is old enough to understand the elusive talk of "pleasures of the flesh" you should make sure they are mature enough to not think it is sweet but understand the wrong in how he behaves towards Christine. The whole concept of the story is that the Phantom wants to take Christine away with him to create music but also to be his lover. The Phantom himself may be a bit scary to look at in one scene, he has either a serious burn or a birth defect that is the reason for him wearing his mask, the special effects make it look very real and nasty. The music is so melodic and well written it doesn't make you feel the aggravation some other musicals do.
His despair quickly turns to furious, jealous rage and is willing to do anything to win her, even if it means raising the stakes to the ultimate level in Christine's choice between her love for Raoul and her strange attraction to the Phantom.Phantom of The Opera is a wonderfully dark musical that even people who don't like musicals will enjoy. But when Christine, whom the Phantom has fallen in love with, accepts a marriage proposal from her childhood sweetheart Viscount Raoul de Changy, the Phantom's heart is broken. With no understudy, the mangers turn to Christine who at the time was no more than a chorus girl. Everyone at the opera house is used to the Phantom's deadly pranks when his demands are not met but when a canopy falls on top of her, nearly crushing her, the opera's leading diva: Carllota resigns. His one companion is his young singing protégé, a soprano named Christine Daae who is drawn to and mystified but at the same time terrified of her Angel of Music whose rapturous voice sings songs in her head while she sleeps and whispers in her ear during day. Begins when an opera ghost terrorizes the cast and crew of the French Opera House while. He's a genius who must hide his facial disfigurement behind a mask and in the catacombs beneath Paris's Opera Populaire, known only as the Phantom of the Opera or Opera Ghost. An architect and designer, a composer and magician.